Brussels is one of the most cosmopolitan cities in the world with over 100 nationalities living there. During this weekend in September, we will explore and sketch its people and architecture and look into its history to understand its diversity and variety. All in all we’ll try to capture this intensity in colour and line.
For prices and how to book: go to the end of the post – HERE
What will be cover
Light and colour is everywhere (Isabel)
Every place has its own feel for light and colour, unique and personal. Light can affect our mood and what’s more we each experience colour differently. During this workshop we’ll work intuitively with colour using it to reflect our feel of each place that we visit with fresh eyes. The spaces we’ll visit are busy with architecture and people and we’ll push ourselves to simplify while we record what we see with emotion.
What comes first action or setting? How do we differentiate between them?
In each location, stop and think first and consider the mood, is it crowded, busy, active, solitary or contemplative?
Start the scene with colour, abstracting shapes and light to give the atmosphere of the space, composing the sketch as you go and summarising in big shapes what you see.
Then, focus on the action(s) – people and moving objects- and find appropriate marks to depict these.
Finally, express some architectural details that make the place special and review the whole sketch thinking about the light and colour contrast.
As we move around the city, we will work in various scales and speeds, some bigger open spaces or views others intimate moments between observed characters captured on the go.
Flow, relations and layers (rolf)
Drawing is our method to experience places. If we go somewhere, our habit to draw makes us stay and observe, we experience a place’s life, its structure and people, through a period of time and with open senses.
We want to try to record this experience of a place’s life and atmosphere in our drawings. To do so, we need to have a go to deal with the unexpected, that does not aim for a pre-planned composition, keeps our drawing open, but still captures a places specific features.
In this workshop, we want to access this challenge by focusing on three aspects of a drawing process.
We want to deal with the problem of sketching an actually or potentially moving person or group of people. We want to find and automate techniques to do this, so we will be able to achieve a usable capture in limited time, without having our attention fully occupied, so we do not lose contact to the whole scene, we capture.
We will exercise:
- quick drawings of figures, to loosen our marks and to automate the pen’s movement
- balance volumes and details, by combining different tools (brush+watercolor, markers and pencils), to capture a figure’s presence quickly and add specific features as needed and achievable.
We will learn methods, to position our captures of different figures or figures and ‘hard structure’ on our sheet, so that a plausible impression of space is evoked and a scene with narrative relations emerges.
We will exercise:
- the role of our position, especially eye level, on the positioning and scale of elements
- creating reference points and accurate relations to them, using different measures, to be able to position our fluid captures following the spatial plausible structure of our scene.
We will allow overlaps of the elements of our image, as this provides the freedom we need, to give an authentic capture of a moving scene. To keep the drawing readable and provide additional atmospheric impression, we will treat these layers differently
We will exercise
- methods to quickly capture contextual elements (architecture, plants, vehicles) with different tools (lines, masses, colours)
Finally, we will draw full scenes, using all the aspects we practised. We will focus on structuring our drawing process, altering spontaneous fluid capturing with analytic decisions. We will tell the story of our time on a location in our sketch.
- Pushing participants out of their comfort zone, at their own level. From beginners starting to sketch to more confident participants, we aim to teach you something new and push you outside your boundaries, helping you experiment.
- Drawing and sketching people within settings, creating stories about the place you experience.
- Experiment with different techniques and ways of approaching a live sketching people situation, helping you find your own self expression.
- Using and trying different approaches to drawing people – line drawing with brushes, marker pens and watercolour pencils, painting with watercolours, light and shade,
- Develop your own way of representing what you see in colour with confidence
- Improving mark making ability – with pen, with brush,
- Losing the fear to draw people and buildings.
- Sketching people and their stories as they happen.
16:30 to 17:30 Welcome (Le Cercle des Voyageurs) – details to be confirmed nearer the time.
17:30 – 20:30 Sketching session in two groups one with Rolf and one with Isa. – locations to be confirmed [possibly Sketching at Grand Place]
21:00 Drinks/ Dinner together – location to be confirmed
9 to 9:30 Meet at location Brussels historic centre – Cafe Le Petit Choux de Bruxelles on Oude Graanmarkt
9:30 to 12:30 Morning session (two groups) one with Rolf and one with Isa.. locations to be confirmed [likely Sketching typical streets and food markets]
12:30 to 2:30 Lunch – suggested at food market Sint Katelijneplein
2:30 to 5:30 Group change instructor. Afternoon sessions (two groups) with Isa and Rolf . During lunch break walk or take bus to Sablon – meet at the fountain in Petit Sablon garden
6 pm Groups meet for sharing sketchbooks (location tbc)
9 to 9:30 Meet up near Flea market (tbc)
9:30 to 12:30 Morning session (two groups) one with Rolf and one with Isa around flea market and lift to Poelaertplein
12:30 to 2:30 Lunch and sharing of sketchbooks (location tbc)
2:30 Group photo and departure
Afternoon – optional if staying a bit longer – further sketching and meeting with Brussels group around the Marolles area.
NOTE: all locations and meeting points subject to change depending on weather and other reasons so please double check schedule at Welcome meeting and each day’s meeting.
20 attendees maximum, 15 minimum, any level of experience is welcome
Travel and accommodation
You will need to arrange your own accommodation and travel. To help you decide the area see the map of the workshop below. Suggested sites to look for a good range of accommodation: booking.com or airbandb.com.
Travel: in Brussels you will need to use public transport. We will walk a lot but meet at various public transport nodes.
£250 (fees are in GBP)
How to book?
Follow the button link below to buy your ticket. Fill in the participant details at checkout. An automatic confirmation will be sent to you once the purchase is made. e-mail: email@example.com for information if needed.
All tickets include a £15 non-refundable ticketing fee.
All other fees are refundable if cancelled more than 6 weeks prior to commencement of course (up to 14 July 2023 ). Bank charges will be deducted for the refund in the case of an attendee cancellation. If cancelled after the 14 July and up to two weeks before the start of the course, a cancellation fee of £65 will be retained. No refund will be possible two weeks before the course.In the event of too few registrants, all monies will be refunded.
In the event of cancellation due to general emergency (such as a pandemic or similar health) the workshop fees minus the ticketing fee will be refunded.
If any of the tutors was unable to attend (due to illness or similar), PYSB will find a suitable replacement or will adapt the course slightly to match the replacing tutor.
You can find the workshop map here
About the instructors
This workshop combines the abilities of: